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Hans Memling (also spelled Memlinc; – 11 August 1494) was a German-Flemish people painter who worked in the tradition of Early Netherlandish painting. Born in the Middle Rhine region, he probably spent his childhood in Mainz. During his apprenticeship as a painter he moved to the Netherlands and spent time in the Brussels workshop of Rogier van der Weyden. In 1465 he was made a citizen of Bruges, where he became one of the leading artists and the master of a large workshop. A tax document from 1480 lists him among the wealthiest citizens. Memling's religious works often incorporated of the clergymen, aristocrats, and burghers (bankers, merchants, and politicians) who were his patrons. These portraits built upon the styles which Memling learned in his youth.
He married Anna de Valkenaere sometime between 1470 and 1480, and they had three children. Memling's art was rediscovered in the 19th century, attaining wide popularity.
The oldest allusions to pictures connected to Memling point to his relations with the Burgundian court, which was held in Brussels. The inventories of Margaret of Austria, drawn up in 1524, allude to a triptych of the God of Pity by Rogier van der Weyden, of which the wings containing Angel were painted by "Master Hans".
Memling's painting of John the Baptist (c. 1470) is in the Munich Alte Pinakothek. He painted the Last Judgment in Gdańsk.
Memling's portraits, in particular, were popular in Italy.Borchert 2005, p. 70 According to Paula Nuttall, Memling's distinctive contribution to portraiture was his use of landscape backgrounds, characterized by "a balanced counterpoint between top and bottom, foreground and background: the head offset by the neutral expanse of sky, and the neutral area of the shoulders enlivened by the landscape detail beyond".Borchert 2005, p. 74 Memling's portrait style influenced the work of numerous late-15th-century Italian painters,Borchert 2005, p. 78 and is evident in works such as Raphael's Portraits of Agnolo and Maddalena Doni.Borchert 2005, p. 83 Purchasers of his paintings include Cardinal Grimani and Cardinal Bembo at Venice, and the heads of the House of Medici at Florence.
Other paintings include the Madonna and Saints (which passed from the Duchatel collection to the Louvre), the Virgin and Child (painted for Sir John Donne and now at the National Gallery, London), and the four attributed portraits in the Uffizi Gallery of Florence (including the Portrait of Folco Portinari), the Scenes from the Passion of Christ in the Galleria Sabauda of Turin and the Advent and Triumph of Christ
Around 1492, Memling was commissioned to paint the Najera Altarpiece for the Benedictines Monastery of Santa Maria la Real in Najera, La Rioja, Spain. The altarpiece, which was completed in Flanders, consisted of an image of God surrounded by angels playing a variety of musical instruments while atop a row of clouds before a golden background. Recent scholarship by Bart Fransen has determined that Gonzalo de Cabredo and Abbot Pablo Martinez commissioned the creation of this artwork.
Memling became sufficiently prosperous that his name appears on a list of the 875 richest citizens of Bruges who were obligatory subscribers to the loan raised by Maximilian I of Austria, to finance hostilities towards France in 1480.Borchert 2005, p. 15 Memling's name does not appear on subsequent subscription lists of this type.Borchert 2005, pp. 15–16
In his later years, he painted the Shrine of St Ursula in the museum of the hospital of Bruges, St Christopher and Saints (1484) in the academy, the Diptych of Maarten van Nieuwenhove in the hospital of Bruges, and a large Crucifixion, with scenes from the Passion, (1491) from the Lübeck Cathedral (Dom) of Lübeck, now in Lübeck's St. Annen Museum. Near the close of Memling's career, the registers of the painters' guild at Bruges give the names of two apprentices who served their time with Memling and paid dues on admission to the guild in 1480 and 1486.
He died in Bruges. The trustees of his will appeared before the court of wards at Bruges on 10 December 1495, and records indicate Memling left behind several children and considerable property.
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